I stumbled upon Aaron Koblin's body of work on Google images as I tried to search for ideas that corresponded to my own for Project 1. Not surprisingly, he is also the Creative Director of Data Arts of Google. Koblin is known for his incorporation of data and crowd-sourcing into visual schematics. This, in particular, was fascinating to me as he was able to visually introduce another creative point of view on something that relates to most everyone. Koblin quotes: “An interface can be a powerful narrative device. And as we collect more and more personally and socially relevant data, we have an opportunity, and maybe even an obligation, to maintain [our] humanity and tell some amazing stories.” To branch from off of this idea, I think it would be interesting to present statistical data in an aesthetically pleasing and conceptually significant way. For the project, I certainly hope that I am able to execute something of the sort. Equally important to me, I want the viewer to be able to connect my concept to the visual presentation without dissecting the visual information for a conceivably long time. Koblin's artwork is presented in such a way. Immediately you recognize a hint of what's going on in the image; however, there is still explanation required in order to acquire a full sense of satisfaction conceptually. In Koblins body of work appropriately titled "Flight Patterns," I understood what was going on- but, there was still ambiguity left for me to uncover. Above is the digital piece that I had found during my artist search.
I immediately too notice that this was the shape of America as I'm sure most people have. Next, I noticed the brighter regions of the shape that represent the highly populated cities. The lines, as the title gives away, represents airplane routes over the United States. It truly shows just how connected every person is to one another in the world. When I first saw this image, I thought that this represented the flow of digital information among North America. However, this artwork was more physically derived in my opinion- as the image tracks people literally moving their bodies from various different points on the globe. In today's era we are not only connected by physical means (as Flight Patterns implies), but we are also connected by a web of digital information that flows relatively freely in a matter or milliseconds. The ides is further illustrated by the fact that you can travel around planet Earth in a mere 24- hours.
This image is a bit less identifiable than the last. But, if you look closely you may or may not see a peninsula that lies between the Atlantic and the Gulf. I like this zoomed in version of the above image of North America because it really shows you the minuscule details that might otherwise be overlooked. This honestly reminds me of a circulatory system in a human body. The cities representing the places of importance in the body and the more heavily traveled routes would be the major arteries or veins and are thus larger in order to carry more blood and nutrients (aka people and supplies). Pretty interesting how seemingly different processes such as flight routes in the world might functionally overlap with blood routes in the body. I hope to build off of this idea for project one- the idea of global oneness, the way individual molecules work together to make up the entirety of the human body. Regardless Koblin has provided the world with artwork that is both conceptually and aesthetically interesting. He has also worked on other bodies of work such as "sheep market." "TheSheepMarket.com is a collection of 10,000 sheep made by workers on Amazon's Mechanical Turk. Workers were paid 0.02 ($USD) to "draw a sheep facing to the left."" (http://www.aaronkoblin.com/work/thesheepmarket/)
^^"Northeast"
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